Sean Baker has long been a maestro of capturing the raw, unfiltered essence of America’s marginalized communities, and with “Anora,” he ascends to new heights, delivering a film that is both a vibrant celebration and a poignant critique of the American Dream. This could easily be his best and most accomplished work to date, with a stunning lead performance by Mikey Madison that lights up the screen. “Anora” is a film that deserves serious consideration for the Palme d’Or at Cannes, and it’s easy to see why it’s being hailed as a festival favorite.
“Anora” introduces us to Ani (Mikey Madison), a resilient and self-assured exotic dancer living in a modest Coney Island apartment. By day, she navigates the bustling streets of New York City; by night, she performs in a nightclub, making ends meet and seizing every opportunity that comes her way. Ani’s world takes a dramatic turn when she crosses paths with Ivan Zakharov (Mark Eydelshteyn), a 21-year-old Russian trust fund playboy. Their whirlwind romance culminates in an impromptu marriage in Las Vegas, promising Ani a life of security and unexpected happiness.
Madison’s portrayal of Ani is nothing short of transformative. Known for her supporting roles in “Scream” and “Once Upon A Time In Hollywood,” she steps into the spotlight with a performance that is both fierce and vulnerable. Ani’s journey from a confident, self-reliant woman to someone fighting to retain her newfound status and happiness is depicted with remarkable nuance and intensity. Madison’s ability to convey Ani’s internal struggles and defiance against the patriarchal forces trying to control her destiny makes her a character that resonates deeply with audiences.
Eydelshteyn surprises as Ivan, balancing the character’s juvenile exuberance with moments of genuine depth. His chemistry with Madison is palpable, creating a believable and heartfelt connection that anchors the film’s early romantic arc. As Ivan’s parents send the Armenian fixer Toros (Karren Karagulian) and his goons (Yuriy Borisov and Vache Tovmasyan) to annul the marriage, the film pivots into a chaotic, high-stakes chase through New York City, reminiscent of the Safdie Brothers’ kinetic storytelling.
Baker’s direction is as sharp as ever, blending naturalistic performances with a vivid visual style captured brilliantly by cinematographer Drew Daniels. The film’s dynamic energy is matched by its soundtrack and the overlapping, often vulgar dialogue that brings an authentic feel to the bustling cityscape. “Anora” pulses with life, from the gritty streets of Coney Island to the opulent interiors of Ivan’s father’s mansion.
The supporting cast shines, particularly the trio of Armenian enforcers whose bumbling yet menacing presence adds a layer of dark humor and tension. Baker’s knack for crafting memorable characters extends to Silvio Orlando’s Devoto Marotta, Ani’s grumpy yet endearing university professor. Orlando’s performance is a highlight, bringing warmth and gravitas to his scenes and providing a counterbalance to the film’s more chaotic moments.
“Anora” is more than just a story of romance and pursuit; it’s a profound character study that explores themes of independence, control, and the relentless quest for a better life. Ani’s struggle against the societal and familial forces trying to dictate her future mirrors the broader fight for autonomy faced by many women today. Her defiance and determination make her an inspiring and relatable protagonist.
The film’s final scenes, particularly the poignant interaction between Ani and Igor (Yuriy Borisov), deliver a powerful emotional punch that brings Baker’s storytelling full circle. Madison’s performance in these moments is especially compelling, solidifying her status as a breakout star.
“Anora” is a film that embodies the spirit of the Cannes Film Festival bold, innovative, and deeply human. With its stellar performances, particularly from Mikey Madison, and Sean Baker’s masterful direction, it stands as a testament to the power of independent cinema. This is a film that not only deserves to be seen but also celebrated, and it’s easy to envision it winning the Palme d’Or. “Anora” is a cinematic triumph that will leave a lasting impression on audiences and critics alike.
Sex, status, and the relentless pursuit of the American Dream are at the heart of “Anora,” a film that seamlessly blends humor, drama, and social commentary into an unforgettable narrative. Sean Baker continues to prove himself as a vital voice in contemporary cinema, and “Anora” is his most compelling work yet. This is not just the movie of the festival it might just be the movie of the year.